Tuesday 16 December 2014

Schumann - Sonata g minor op. 22 (2nd recording)

Here I see some improvement. I felt comfortable in this tempo (it's about 112), but I want to play a little faster. Piano in sixteens was definitely better - I practised them in light staccato and in very slow legato almost without finger movement. The second practise method can cause lacks of articulation, so careful with that.



Issues (bar number in brackets is the corresponding number of bar in reprise):
  1. Exposition:
    • sixteens in second theme are slower (starting from bar 67 {259}) - it's cause that the coda was in the tempo if the beginning
    • sforzatos should be more sforzato (bar 1, 36{229}, 38{231})
    • don't rush octaves in bars 23 {216}
    • in the section which begins in bars 24 {217} dynamics should be different - chords in left hand and upper crochets in right hand should be forte. The rest of the notes I think that the should be mezzoforte till bar 28 {221}
    • don't slow down descending motives in 33-36 {225-228}
    • the motive in left hand in bar 36-40 {228-232} should be more aggressive
    • don't rush octaves in bars 40-43 (especially the sixteen note) - I think it's nice to build the tension here, but it should be hold.
    • I don't like staccato in bars 48 {240} and 50 {242}, I have to hear some recordings to know how it should sound. Don't rush the last eight note.
    • I don't know the melody in chords in section starting from 48 {240}, so I don't build this small culmination in 57 {249}.
    • Second theme in bar 59 {251} is to slow - ritardando is at bar 65 (but not in reprise). In bar 67 I should go back to previous tempo.
    • Left hand in 67 - 70 {259-263} is sloppy.
    • In 71-74 {263-267} there are some articulation issues.
    • 75 - 82 {267-276) is forte
  2. Development
    • Bar 118-119 is without diminuendo
    • More singing in melody in section starting from 121
    • Show more melody in left hand in section starting from 138
    • Hold on in 146-150
    • Fix bars 179-190, some memory lapses.
  3. Reprise
    • Fix 233 and 235 - there is octave B flat and in the corresponding bar there is B, it shouldn't cause this seizure
    • The descending is in forte 267
  4. Coda
    • Hold on in 302 (don't rush the last note)

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